Evenson is a major figure among writers who straddle the line between genre forms and literary concerns, and he was recently the subject of a 5 x 5 interview (five interviewers, and spread over five full-length conversations) with The Believer bringing his work to an even wider audience Evenson's straight genre work is published by Tor, and there's a large cross-over audience primed to enjoy his more literary work. Evenson's work has been compared to that of J. G. Ballard, Jorge Luis Borges, Paul Bowles, Franz Kafka, Cormac McCarthy, Robert Coover, Edgar Allan Poe. Evenson has also won the ALA RUSA Award for Best Horror Novel and was a finalist for the Edgar Award. Last Days will be published alongside two other re-releases (The Open Curtain and Father of Lies) as well as a new collection, A Collapse of Horses all with a unified design and new introductions This is Evenson's foray into hard-boiled detective fiction, but it still circles around his concerns with the abuse of power and the danger of organized religion

"Here is how monstrous humans are." A sentient, murderous prosthetic leg; shadowy creatures lurking behind a shimmering wall; brutal barrow men--of all the terrors that populate The Glassy, Burning Floor of Hell, perhaps the most alarming are the beings who decimated the habitable Earth: humans. In this new short story collection, Brian Evenson envisions a chilling future beyond the Anthropocene that forces excruciating decisions about survival and self-sacrifice in the face of toxic air and a natural world torn between revenge and regeneration. Combining psychological and ecological horror, each tale thrums with Evenson's award-winning literary craftsmanship, dark humor, and thrilling suspense.

Winner of the 2022 Nobel Prize in Literature “Annie Ernaux’s work,� wrote Richard Bernstein in the New York Times, “represents a severely pared-down Proustianism, a testament to the persistent, haunting and melancholy quality of memory.� In the New York Times Book Review, Kathryn Harrison concurred: “Keen language and unwavering focus allow her to penetrate deep, to reveal pulses of love, desire, remorse.�   In this “journal� Ernaux turns her penetrating focus on those points in life where the everyday and the extraordinary intersect, where “things seen� reflect a private life meeting the larger world. From the war crimes tribunal in Bosnia to social issues such as poverty and AIDS; from the state of Iraq to the world’s contrasting reactions to Princess Diana’s death and the starkly brutal political murders that occurred at the same time; from a tear-gas attack on the subway to minute interactions with a clerk in a store: Ernaux’s thought-provoking observations map the world’s fleeting and lasting impressions on the shape of inner life.  

"[Evenson's] scary fictional treatment of church hypocrisy has the feeling of a reasoned attack on blind religious obedience."-Publishers Weekly Provost Eldon Fochs may be a sexual criminal. His therapist isn't sure, and his church is determined to protect its reputation. Father of Lies is Brian Evenson's fable of power, paranoia, and the dangers of blind obedience, and a terrifying vision of how far institutions will go to protect themselves against the innocents who may be their victims.

Brian Evenson is a writer on the verge of breaking out of cult fame. A writer whose work is singularly thrilling, he'll soon be one of those writers who people will claim they knew about before everyone else did. His fans range from the very literary (Jonathan Lethem) to the heroes of horror (Peter Straub). Evenson's work has been compared to that of J. G. Ballard, Jorge Luis Borges, Paul Bowles, Franz Kafka, Cormac McCarthy, Robert Coover, Edgar Allan Poe. A literary writer whose work crosses into science fiction and horror, Evenson has also won the ALA RUSA Award for Best Horror Novel and was a finalist for the Edgar Award. Some of his horror genre books, like a movie tie-in to Aliens, has been published under the pseudonym BK Evenson. The title story was one of twenty stories that won the 2011 PEN/O. Henry Prize Award. Other winners included Lily Tuck, Chris Adrian, and Jim Shepard.

"Brilliant...Evenson manages to capture madness with a masterful tone. The specific genius o"f Fugue Sta"te rests in subtlety, in Evenson's ability to maintain suspense, dread and paranoia through utter linguistic control.""--Time Out New York""""19 satisfying and surreal stories...packed with subtly hilarious sentences."--"Cleveland Plain Dealer""Brian Evenson is one of the treasures of American story writing, a true successor both to the generation of Coover, Barthelme, Hawkes and Co., but also to Edgar Allan Poe."--Jonathan Lethem"The stories in this collection will thrill, unsettle, and captivate. Like lanterns in dark rooms, paper boats carried down on subterranean waters, they lead the reader into mysterious and perilous territory. Read at your own risk."--Kelly Link

Illustrated by graphic novelist Zak Sally, Brian Evenson's hallucinatory and darkly comic stories of paranoia, pursuit, sensory deprivation, amnesia, and retribution rattle the cages of the psyche and peer into the gaping moral chasm that opens when we become estranged from ourselves. From sadistic bosses with secret fears to a woman trapped in a mime's imaginary box, and from a post-apocalyptic misidentified Messiah to unwitting portraitists of the dead, the mind-bending world of this modern-day Edgar Allan Poe exposes the horror contained within our daily lives.

Brian Evenson is the author of the Edgar and International Horror Guild award-nominated novel "The Open Curtain." Visit his website at www.brianevenson.com.

Winner of the 2022 Nobel Prize in Literature “Annie Ernaux’s work,� wrote Richard Bernstein in the New York Times, “represents a severely pared-down Proustianism, a testament to the persistent, haunting and melancholy quality of memory.� In the New York Times Book Review, Kathryn Harrison concurred: “Keen language and unwavering focus allow her to penetrate deep, to reveal pulses of love, desire, remorse.�   In this “journal� Ernaux turns her penetrating focus on those points in life where the everyday and the extraordinary intersect, where “things seen� reflect a private life meeting the larger world. From the war crimes tribunal in Bosnia to social issues such as poverty and AIDS; from the state of Iraq to the world’s contrasting reactions to Princess Diana’s death and the starkly brutal political murders that occurred at the same time; from a tear-gas attack on the subway to minute interactions with a clerk in a store: Ernaux’s thought-provoking observations map the world’s fleeting and lasting impressions on the shape of inner life.  

Robert Darvel, a young and penniless French engineer at the turn of the twentieth century, is an amateur astronomer obsessed with the planet Mars. Transported by a combination of science and psychic powers to Mars, Robert must navigate the dangers of the Red Planet while trying to return to his fiancee on Earth. Through his travels, we discover that Mars can not only support life but is also home to three different types of vampires. This riveting combination of science fiction and the adventure story provides a vivid depiction of an imagined Mars and its strange, unearthly creatures who might be closer to earthly humans than we would care to believe. Originally published in French as two separate volumes, translated as The Prisoner of the Planet Mars (1908) and The War of the Vampires (1909), this vintage work is available to English-language audiences unabridged for the first time and masterfully translated by David Beus and Brian Evenson.

A newborn's absent face appears on the back of someone else's head, a filmmaker goes to gruesome lengths to achieve the silence he's after for his final scene, and a therapist begins, impossibly, to appear in a troubled patient's room late at night. In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses--whether we know it or not.

In Criminal Enterprise, Thomas Chase wakes up from cryosleep to his first day at a new job - as a pilot for a contraband drug company dropping a shipment on Fantasia, a rock-planet terraformed to hide an elaborate drug manufacturing operation. Everything from synthetic heroin to MX7 is cooked here, in protected caves guard-dogged by the savage Aliens. When Chase's craft touches down on Fantasia, a chain of events begins that cannot be stopped. As criminals and competitors try to take over the drug-empire from the dangerous kingpin, Chase and his brother Pete are caught in the crossfire... with the Aliens adding blood to the mix.

No Exit tells the story of Detective Anders Kramm, awakening to a changed world after thirty years of cryogenic sleep. The alien threat has been subdued. Company interests dominate universal trade. Terraforming is big money now, with powerful men willing to do anything to assure dominance over other worlds. But Kramm has a secret. He knows why The Company killed twelve of its top scientists. He knows why the aliens have been let loose on the surface of a contested planet. He knows that the information he has is valuable, and that The Company will do everything it can to stop him from telling his secret to the world. Haunted by memories of the brutal murder of his family, Kramm is set adrift amid billion dollar stakes . . . with aliens around every corner, waiting for him to make a mistake!

Praise for "Incidents in the Night," finalist for the Los Angeles Times Book Prize (Graphic Novel category):

"One of 10 Best Comics and Graphic Novels of the year."--"Time"

"A treat for sophisticated adult story omnivores with a taste for bizarre mysteries."--"Library Journal"

""Incidents" owes more than a bit to Jorge Luis Borges's short stories."--Douglas Wolk, "The Washington Post"

At the end of first "Incidents in the Night," David B. met an uncertain demise in a bizarre cliffhanger. In "Book 2," the worlds of "Epileptic" and "Incidents in the Night" become entangled as the author's dead brother, Jean-Christophe, joins the cast to solve the mystery and uncover the occult machinations of the mad editor, Emile Travers. "Book 2" is another treat for lovers of books and literary mysteries. Once again the translation is by acclaimed novelist Brian Evenson.

David B. is one of the world's finest cartoonists and a co-founder of the legendary L'Association collective. He is the author of many graphic novels including "Epileptic," which was awarded Angouleme International Comics Festival Prize for Scenario and the Ignatz Award for Outstanding Artist.

Brian Evenson is the author of eleven prize-winning books of fiction, including "The Open Curtain," "Last Days," "Windeye," and "Immobility." His work has been translated into over a dozen languages. He lives and works in Providence, Rhode Island, where he teaches at Brown University.

Each author has extensive fanbase Each author has been nominated for and/or has won numerous awards. Most recently Jesse Ball was long listed for the National Book Awards. A great Halloween or Day of the Dead book

When you open your eyes things already seem to be happening without you. You don't know who you are and you don't remember where you've been. You know the world has changed, that a catastrophe has destroyed what used to exist before, but you can't remember exactly what did exist before. And you're paralyzed from the waist down apparently, but you don't remember that either.

A man claiming to be your friend tells you your services are required. Something crucial has been stolen, but what he tells you about it doesn't quite add up. You've got to get it back or something bad is going to happen. And you've got to get it back fast, so they can freeze you again before your own time runs out.

Before you know it, you're being carried through a ruined landscape on the backs of two men in hazard suits who don't seem anything like you at all, heading toward something you don't understand that may well end up being the death of you.

Welcome to the life of Josef Horkai....

The Swiss writer Friedrich Durrenmatt (1921-90) was one of the most important literary figures of the second half of the twentieth century. During the years of the cold war, arguably only Beckett, Camus, Sartre, and Brecht rivaled him as a presence in European letters. Yet outside Europe, this prolific author is primarily known for only one work, "The Visit," With these long-awaited translations of his plays, fictions, and essays, Durrenmatt becomes available again in all his brilliance to the English-speaking world.
Durrenmatt's essays, gathered in this third volume of "Selected "Writings, are among his most impressive achievements. Their range alone is astonishing: he wrote with authority and charm about art, literature, philosophy, politics, and the theater. The selections here include Durrenmatt's best-known essays, such as "Theater Problems" and "Monster Essay on Justice and Law," as well as the notes he took on a 1970 journey in America (in which he finds the United States "increasingly susceptible to every kind of fascism"). This third volume of "Selected Writings "also includes essays that shade into fiction, such as "The Winter War in Tibet," a fantasy of a third world war waged in a vast subterranean labyrinth--a Plato's Cave allegory rewritten for our own troubled times.
Durrenmatt has long been considered a great writer--but one unfairly neglected in the modern world of letters. With these elegantly conceived and expertly translated volumes, a new generation of readers will rediscover his greatest works.

Brian Evenson has added an O. Henry Award-winning short story, "Two Brothers," to this controversial book and a new afterword, in which he describes the troubling aftermath of the book's publication in 1994.

"There is not a more intense, prolific, or apocalyptic writer of fiction in America than Brian Evenson."-George Saunders "A contemporary gothic tale about the apocalyptic connection between religion and violence."-Publishers Weekly When Rudd, a troubled teenager, embarks on a school research project, he runs across the secret Mormon ritual of blood sacrifice, and its role in a 1902 murder committed by the grandson of Brigham Young. Along with his newly discovered half-brother, Rudd becomes swept up in the psychological and atavistic effects of this violent, antique ritual.

Evenson is a major figure among writers who straddle the line between genre forms and literary concerns, and he was recently the subject of a 5 x 5 interview (five interviewers, and spread over five full-length conversations) with The Believer bringing his work to an even wider audience Evenson's straight genre work is published by Tor, and there's a large cross-over audience primed to enjoy his more literary work. Evenson's work has been compared to that of J. G. Ballard, Jorge Luis Borges, Paul Bowles, Franz Kafka, Cormac McCarthy, Robert Coover, Edgar Allan Poe. Evenson has also won the ALA RUSA Award for Best Horror Novel and was a finalist for the Edgar Award. Collapse will be published alongside three re-releases (The Open Curtain, Father of Lies, and Last Days, all with a unified design and new introductions

In an unnamed country, the President of the Republican Council, wanting to "do something big," strikes upon the idea of building a 1,500-meter high mountain as an inspirational monument to national greatness. Construction of the mountain will reduce unemployment, attract hordes of tourists, and the idea can even be exported for sale to other countries. Mountain R relates the rise and fall of this insane project through the eyes of those involved over several decades: the President whose double-talk sets the plan in motion, a worker who, years later, tells his daughter about the disastrous consequences of the never-completed mountain, and an author commissioned to write a novel about the project. An incisive satire about the dangers of half-witted government officials who use political rhetoric to manipulate the patriotism of their constituents, Mountain R is a humorous yet disturbing allegory quite appropriate to our times.